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28.05.2009    Bauhaus - Harry (Íå â³äîìî)

Êîììåíòàðèé: "Mask"
		Harry

		Song progression:
		(1)  (A1)+(A2) } X 4
		(2)  (A1) } X 4
		(3)  (B) } X 2
		(4)  (A1) } X 2
		(5)  (C1) } X 4 (bend up last note last repetition)
		(6)  (A1)+(A2) } X 2
		(7)  (A1) } X 4
		(8)  (B)+(A1) } X 1
		(9)  (A1) } X 2
		(10) (A1)+(A2) } X 2
		(11) (A1) } X 4
		(12) (B) } X 2
		(13) (A1) } X 3
		(14) (A1)+(A2) } X 5

(A1)		|---------------|---------------|
		|----(H)----(H)-|----(H)----(H)-|
		|-8-8-8--8-8-8--|-6-6-6--6-6-6--|
		|-8-8-8--8-8-8--|-6-6-6--6-6-6--|
		|-6-6-6--6-6-6--|-4-4-4--4-4-4--|
		|---------------|---------------|

(A2)		|---------------|---------------|
		|----(H)----(H)-|----(H)----(H)-|
		|-8-8-8------8--|-----8------8--|
		|-8-8-8------8--|-----8------8--|
		|-6-6-6------6--|-----6------6--|
		|---------------|---------------|

(A3)		|---------------|---------------|
		|----(H)----(H)-|----(H)----(H)-|
		|-8-8-8--8-8-8--|-6-6-6--6-6-6--|
		|-9-8-8--8-8-8--|-6-6-6--6-6-6--|
		|-6-6-6--6-6-6--|-4-4-4--4-4-4--|
		|---------------|---------------|

(B)		|---------------------|---------------------|
		|-------(H)-------(H)-|-------(H)-------(H)-|
		|-13-13-13--13-13-13--|-11-11-11--11-11-11--|
		|-13-13-13--13-13-13--|-11-11-11--11-11-11--|
		|-11-11-11--11-11-11--|--9--9--9---9--9--9--|
		|---------------------|---------------------|

(C1)		|---------------------|---------------------|
		|--(H)-------(H)------|--(H)-------(H)------|
		|--13--------13-------|--13--------13-------|
		|--13--------13-------|--13--------13-------|
		|--11--------11-------|--11--------11-------|
		|---------------------|---------------------|

(C2)		|---------------------|---------------------|
		|--(H)-------(H)------|--(H)-------(H)------|
		|--13--------13-------|--11--------11-------|
		|--13--------13-------|--11--------11-------|
		|--11--------11-------|---9---------9-------|
		|---------------------|---------------------|

		Song Notes:
		(1) All these triplets have the fingers touching the tab for the first two
		(in a down/up double strum) postures.
		(2) The third one is when the fingers press the tab into the fretboard.
		Those notes are generally hammered out.
		Enjoy!
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